BLOW (2004)

BLOW weaves together two voices – one male, one female – as fragments of semantic and grammatical speech in a polyphonic composition. Breath, utterance, syllables and phrases offer a cut-up audio poem of sentience and rationality using high/low technology and aesthetics in twelve tracks of spatialized sound. The text juxtaposes sense and sensuality of subjective, collective positions and utopic possibility. A cartographic text-map fusing concrete poetry with a schematic of the nervous system of the human body is projected on one wall as a techno-organic graphic. Catalogue with Audio CD; essay by Betsy Warland. Collection of the Saskatchewan Arts Board.